Every once in a while I pick up a book and I find myself thinking, "What was the author on when he wrote this?"In an overpopulated world seeking living room in the jungles, the International Ecological Organization was systematically exterminating the voracious insects which made these areas uninhabitable. Using deadly foamal bombs and newly developed vibration weapons, men like Joao Martinho and his co-workers fought to clear the green hell of Mato Grosso.But somehow those areas which had been completely cleared were becoming reinfested, despite the impenetrable vibration barriers. And tales came out of the jungles... of insects mutated to incredible sizes... of creatures who seemed to be men, but whose eyes gleamed with the chitinous sheen of insects...Here is a vividly different science-fiction novel by the author of DUNE.
Need I add that this is one of those books?
It was probably at least partly inspired by Rachel Carson's The Silent Spring, a study of the ecological effects of pesticides which first appeared in 1962. (In fact the eco-rebels mentioned in The Green Brain are called Carsonites—clearly a tribute to The Silent Spring!) A story about pesticides and overpopulation? That was both relevant and timely in the mid-sixties. It fits neatly into the tradition of science fiction both as speculative fiction and as dreadful warning: If you keep doing this, this will happen....
On the other hand... things get weird in this book. In some ways it reminds me of those "nature takes its revenge" movies that became popular in the 1970s, but "nature" in The Green Brain includes sentient hive minds capable of creating imitation human beings to act as their agents in a plot to take over the world. There is simply no rational way to get from "here" (overuse of pesticides) to "there" (sentient insects)--and to be fair, Frank Herbert doesn't even try.
At least the heroes of seventies "B" movies only had to deal with plagues of tarantulas or incursions of giant rabbits!
Lastly I've got mention that I'm disappointed with the cover of this paperback. It's messy, a bit generic, and doesn't convey anything in particular about the characters, the plot or the setting of the story. The covers of science fiction books went through a bit of a rough patch in the late sixties after the glorious pulpiness of the fifties. Fortunately for lovers of the genre, things picked up in the seventies!
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